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Interview with producer Ghosts of Paraguay



Under his Ghosts of Paraguay monicker, David Templeman has produced some of the most thoughtful, evocative pieces of music we’ve ever heard. Self-taught on the guitar and piano, David opted to go his own way and ignore traditional music theory rules to focus on developing a sound that is truly unique.

Having explored other genres like house, trance and later drum n bass, David has never been afraid to push boundaries and his 2011 album Silent Souls was testament to that. Now, three years later, and he’s just released his followup album, Ember, which we are very fond of here at

Listening to this kind of music, you begin to conjure up a strange kind of imagined bond with the person who’s produced the tunes, so we wanted to find out who this chap is and what makes him tick. Enjoy, then, our Q&A interview with Ghosts of Paraguay.

Congratulations on the new album. You must be really proud of it. How did the tracks on the album come together and how do you see it compared to Silent Souls?

Ember is actually a collection of works that I had written over the space of a few years whereas Silent Souls was all written with an album in mind.
I view Ember as Silent Souls successor and I think it demonstrates my wider interest in musical genres.

Why did you decide to call it “Ember” and and what about the titles of the tracks? They seem to paint a picture of love lost, melancholy, mistakes, yearning. Is there a story there?

There is always a story in every song and every collection of songs. The story is everyone’s story, it’s the listener’s own story of love, loss and melancholy. I think that’s why people relate to it, because everyone has a tale of love and loss.

A young violinist by the name of Tahli Elsner appears on a couple of your tracks. Who is she and how did that collaboration come about?

Tahli is an extremely talented and young Australian Violinist. I met her whilst she was busking on Chaple street in Melbourne, I gave her my details and that was it.

As someone who’s self-taught on piano and guitar, how has your relationship with those instruments changed when it comes to making your music?

I don’t think my relationship with these instruments has ever changed, that’s whats enabled me to be as much in love with them now as I was when I first watched someone play.

The production process has drastically changed. When I first started I used a DOS based tracking program on a 386 computer. Basic samples that you could place in tracks and if you wanted effects you had to literally program in the code for them. It was hard work and presumed a great deal of technical knowledge. Nowadays its very simple to produce a song, too simple if you ask me.

You’ve worked with some interesting vocalists over the course of your career. Who did you enjoy working with the most and why, and who would you like to work with in the future?

I am quite picky with my vocalists so that the ones I do work with I know I can trust implicitly to add to the song and not just lay a vocal track. The best vocalists are the ones that need no direction and all the ones I have worked with over the years are absolutely exemplary at what they do and bring a whole new love for a track I’m working on.

Do you still have any interesting in drum n bass?

I have to admit that I think the DNB scene has lost its way in recent years. I’ll always love it because that’s what I grew up on, but as for right now, I don’t really listen to it much anymore.

Do you have much interest in DJing or playing live shows?

I used to back in old days. I don’t really think there is much of an audience for Live Ghosts of Paraguay. Maybe I’m wrong but I prefer the thought of people listening to it on their own — it makes it more personal.

You’ve worked with vocalist Aidan Dullaghan again on this new album. You two must work really well together. How did you meet and how did that working relationship take shape?

I have known Aidan since I was 14 and he is actually my best friend. We only started working together properly with Silent Souls, but we have both been keen musicians for many years. I think after knowing someone for 16 years you have to get on quite well.

Did you get to do the artwork for the album yourself with Ember? What’s the story behind that image?

I did the Ember artwork myself. It was nice actually because I felt I could portray how I feel about the album visually. Unfortunately there isn’t really a story behind it but I do think its an accurate representation of the feel of the album.

What’s the feedback for Ember been like from the fans?

Very good so far, I think some are a bit taken back by the difference between Silent Souls and Ember but overall I think I have gained a few more fans from the broader range in Ember.

If someone asked you to play them one track from your back cat that you are most proud of and that means the most to you, what would you play them and why?

Start Again would be the song I am most proud of. I think both the composition and Aidan’s vocal performance really illustrate the best of our abilities. It’s not the most successful of our work together but its by far the one I’m most proud of.

And finally… what’s next? Will Ghosts of Paraguay continue, or is there something else you’d like to do, a new direction, a new spin on things?

I’m not sure Ghosts Of Paraguay will persist as it is now for very much longer. I am moving much more towards SYNC stuff and the small amount of free time I have these days is usually spent working of film and TV briefs.

I will always write and make music but I think Ghosts Of Paraguay should be left as a point in time that every listener can refer back to. I don’t like the idea of dragging things out, I think it dilutes the love people had for it in the first place.


Planet Mondo Interview: King & Joker



Recently, Planet Mondo had the opportunity to talk with EDM and dubstep djs King & Joker who are featured right here on our website. We talked dubstep and more. Don’t forget to check out their page right here on Planet Mondo.

Planet Mondo: What best describes your music & why it’s unique?

King & Joker: “Our music is definitely bass music… like a mixture of Big Room and Festival Trap”

Planet Mondo: Who are some of your biggest musical influences?

King & Joker: “ur influences are very far apart and that ‘s what makes it work we guess… The Joker gets inspired from big trance heros like Tiësto en Above and Beyond, genres these days are  going from Big Room to Bass music…  As the King Gets his inspiration from Trap and Bass producers like Troyboi, Marshmello, Jack Ü, Major Lazer”

Planet Mondo: What are you currently listening to?

King & Joker: “Big Room to Bass music… Troyboi, Marshmello, Jack Ü, Major Lazer, KSHMR, Blasterjaxx”

Planet Mondo: Do you have any projects you are working on?

King & Joker: “of course… ? its a secret ”

Planet Mondo: Your coolest experience thus far (performing or recording)?

King & Joker: “finishing the first track as King & Joker and getting more than 22K plays”

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Planet Mondo Interview: Dylan Heidt (TNLTTRWRD)



2017 is already proving to be an incredible year of dubstep music, which is why we are stoked to share with you an interview with one of the dubstep djs featured on Planet Mondo, TNLTTRWRD.

Planet Mondo: What best describes your music & why it’s unique

TNLTTRWRD “I believe my music sounds the way that it does, because I find inspiration in so many different areas and avenues of life. I grew up listening to artists like The Doors, Bob Marley, The Beatles, Jimi Hendrix, The Eagles and Steely Dan (thank you Mom and Dad, haha), but as I grew older…probably around the time I hit elementary school…I was introduced to Hip-Hop and Rap. I was a huge Shady Records fan (Eminem’s record label), but also listened to everythingfrom Ludacris, UGK and T.I. (Southern Hip-Hop/Rap) to West Coast stuff that was out at the time like E-40, Mistah F.A.B and Snoop Dogg. That was really my first taste of production that I ever got and to this day what I believe to be the driving force that made me want to get into music production in the first place. There are still songs from the early 2000’s that I hear and immediately get chills down my spine, because of how good the production on said song is.

When I got into middle school, I went through a bit of an odd phase for a year where I listened to metal and that was about it. Bands like Black Sabbath, Metallica and Motorhead dominated the rotation of songs on my IPod as I would be walking the halls of my school with friends. When I was in 8th grade though (my last year of middle school) one of my best friends, his older brother
played us a Datsik song…I want to say that it was, “Nuke ‘Em”…but as soon as I heard it, my life was changed forever. I didn’t know how this guy was making the instruments sound the way that they did, but I knew I wanted to know more about this new kind of my music and thus began my journey into the world of electronic music.

After I broke free from my Metal phase and throughout high school I went back to having a pretty wide variety of music that I love and would listen to on a daily basis and to this day that’s exactly how I am. One minute I could be listening to the filthiest Dubstep record out at the moment, the next I may be listening to a Sublime song and from there I might throw on some Miles Davis, haha. To sum it all up, I have big ears and if I didn’t, I don’t think my music would sound in any way, the way that it does today.”

Planet Mondo:Who are some of your biggest musical influences?

TNLTTRWRD “My biggest musical influences? Hhmmm, it’s tough to say, but if I had to narrow it down and pick a few, Steely Dan would definitely have to be very high on that list. From there, on the production side of things…Hip-Hop/Rap- wise anyway…I would say everybody from J. Dilla, to FKi 1st, TM88, 9th Wonder, Ant (from Atmosphere) Metro Boomin and Zaytoven have all been very influential to me in one way, or another and some of those guys are relatively new in their own right, so that’s pretty cool.
In terms of electronic music production I would have to say that artists like Herobust, Flying Lotus, Hippie Sabotage, Cookie Monsta, DVBBS, Datsik, RL Grime and Zomboy have all made a pretty big impact on me in one way, or another as far as influence goes.”

Planet Mondo: What are you currently listening to?

TNLTTRWRD “Currently I’ve been listening to Post Malone’s debut album, “Stoney” on repeat actually, haha. Other than that I’ve been getting into a producer by the name of P Buddy who is pretty sweet and other than that it’s been just my usual mix of Classic Rock, Reggae and Hip-Hop/Rap.”

Planet Mondo: Do you have any projects you are working on?

TNLTTRWRD “At the moment, I don’t have any real projects that I’m working on. I did release my debut studio album, “Situational”, not long ago though and even more recently I put out a Hip-Hop/Rap instrumental EP titled, “For What They Know Not”.

I do have a couple of pretty big remixes coming out within the next month, or two here, so definitely keep an eye out for those! Both of those projects that I talked about above can be found in their entirety on my SoundCloud account, so definitely go check them out.”

Planet Mondo: Your coolest experiences so far (recording or performing)

TNLTTRWRD “I’ve had a handful of pretty cool experiences so far throughout this musical journey that I’m on, but by far the coolest happened when I was living out in Los Angeles for a little while. I was able to meet and hang out with (on a number of different occasions) legendary songwriter, producer and a plethora of other things, Jerry Goldstein.

Just being around somebody who has been in and made such a monumental impact on the industry for as long as he has and listening to the stories/soaking up the knowledge that he shared was an incredible experience for me.”

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Planet Mondo Interview: Dj View



With the holidays around the corner, there are plenty of parties on tap to keep your head bouncing and your body moving. We recently sat down with Dj View and discussed a number of topics in this exclusive interview.

Planet Mondo: What best describes your music & why it’s unique


Dj View: When I envision my music as subject matter, something concrete, I see a machine yielding a machete stomping through the jungle hacking at all that’s in its way.  Some could say underwater robots/aliens for the drops but I like to base my introductory and break elements off of feelings from past experiences, mostly in dark wooded areas.  When I was young I would put on my headphones and walk through the woods at night all alone.  There was something overwhelming about it that I really enjoyed and looked forward to throughout the day.
It was like a drug; very intense at first but after a little bit I was in my comfort zone.  I always try to replicate that intensity that I felt in the intro/break/outros of my compositions.

Planet Mondo: Who are some of your biggest musical influences?

Dj View: As of right now the artists that have my attention are Kadaver, Sudden Death, Ecraze, Graphyt, Emoxx, Samplifire, MurDa, Evilwave, and Oolacile.  These dudes are taking over the scene with their next level sound design and brilliant arrangements.

Planet Mondo: What are you currently listening to?


Dj View: So I produce so often that I tend to get sick of hearing all these loud wubs.  When I take a break from production to work in my painting studio, I tend to go back to my roots and listen to a lot of DNB and hip-hop.  DNB artists such as Black Sun Empire, State of Mind, Calyx & TeeBee and as for hip-hop artists I am a huge fan Gucci Mane and Pouya been on the come up as well, I’ve had his UU album on repeat for 3 weeks now.”

Planet Mondo: Do you have any projects you are working on?


Dj View: “Yes of course!  I try my best to always stay busy.  If you are on your grind you have a chance to shine, without the grind you’re literally taking away any chance to grow as an artist.  Music wise, being an independent dubstep producer is competitive, you literally have to be one of the best to get any kind of recognition so I always try to reach out to relatively newer producers that I see are trying their best because I know we can make a great track together and that’s all I ever wanted when coming into the scene was to make good music and enjoy the process with other like-minded producers.

I currently have works in progress with Antima (Italy), DWARV (Wisconsin), Novice (Minneapolis), ORBiTE (Sweden), Kasework (Michigan), Calladore (Ohio), Bootyswag (Pennsylvania), and I’ve recently reached out to Kill OG and Pandemic after having a good time with them at a recent show.  I love collaborations but I also like to work on my own productions as well.  As of right now I have 13 unreleased dubstep productions compiled in a folder; currently in the demo process.

Being brought up listening to Dr. Dre and Ludacris, I have an undying love for phat 808s.  I am also a hip-hop producer for Cleveland based record label and marketing, Associate Records.  I work with artists, Mopacino, Corey Bapes, Layzie Bone, and Denise Monroe.  I have produced over 30 songs that are all unreleased for Corey Bapes and have 8 productions coming out on Mopacinos’ album which should be released first quarter of 2017.

Music aside, I am a geometric abstraction painter; some would call me an Op Artist.  I fell in love with painting not too long ago, during my undergraduate program at Kent State University.  I used to draw a lot in charcoal but once I was taught how to work with color correctly, I begun to see the limitless possibilities and started my endeavor as an abstract painter.  Over the past 2 1/2 years I have been exploring different ways to create optical effects with color.  The process is long yet meditative and through my system of application, my imagery yields unexpected results.  I have visions of what I want to create but through my process my ideas become dissected.

A good friend of mine and I have been working towards creating sound activated animations of my paintings that can then be projected onto stage setups during my live shows.  You can check out some of my paintings here”:

Planet Mondo: Your Coolest Experience Thus Far (Recording or Performing) ?

Dj View: “Recording the albums with the crew at Associate Records was a blast.  It was great to meet the engineer and just have a good time doing studio tings.  Performance wise, I’d say my favorite show I’ve been a part of is one I did with Trollphace and Boogie T.  Those dudes are real chill, Brock got the best sense of humor for real that dude is hilarious + they killed their sets!

Performance with Squnto was dope too!  Not surprisingly, he was the one that got me into chopping during my sets.

Pre show, we were watching Shiverz chopping the f*ck outta his sets in Montreal and it really got me thinking of ways to introduce new compositions to create new experiences for the audience during live performances.”

You can check out Dj View‘s music on his official Planet Mondo artist page right here.

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