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Bare – Fine Day Remix (review)

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Well I just recently discovered this song and decided it was definitely worthy of review in my eyes. Though it doesn’t have many views, and not much is known about the artist or the song itself I was able to dig a little deeper and find out a bit about it. The original song is a dance song originally done by Miss Jane and can be found here. http://www.youtube.com/watch?v=_iJU0EWsn5Q. Bare’s take on this song is quite impressive for many reasons.
First of all, this song is a bootleg. The song is not made with the original artists’s consent, and this may sound like a bad thing (though a large portion of great dubstep out there is) this speaks immensely for Bare’s talent as a producer, as he did not have the stems to make this song, yet he was still able to get the sounds he wanted and cover up the sounds that are in the sample he used with synthesized sounds that still sound good in this particular song. Bare is a very talented producer and I would love to see more from him, though as of now he only has 5 tracks available on his myspace, which people still use for some reason. who knew? Getting on with the review though, I am going to be going through the song and reviewing as I listen since I have only heard this song a few times before and this is a relatively new find for me.

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This tune starts out with a very well crafted combo of the original version and a ravey synth sound that covers up unnecessary sounds from the sample. Shortly after a kick pattern progressively speeds up as though giving a hint to an upcoming drop, but the only thing to be found at the end of that metaphorical tunnel is a very smooth vocal track from the original song. A false start, if you will. However, a couple seconds late the huge drop kicks in and the kick-snare pattern restores itself.
The drop itself is quite interesting. It is made of an assortment of sounds including one that can commonly be heard in “Bare Noize” music which may just be a coincidence dealing with this producer’s name (Bare) or there could be some sort of association. I am honestly not sure. The drop, however, is very well crafted and includes about 6 different effects that flow very well together and none of the sounds get in any other sound’s way making it sound like a great single effect, when in fact it is many working together to sound great layered under the hard snare and soft kick. This culmination of sounds can be compared to a great chef throwing in a bunch of herbs and spices that work together and compliment each other instead of ruining each other’s tastes. Overall, I could spend hours reviewing this song and I may do an extended analysis including the formatting and chordal structuring, but for now I will just leave it here. Enjoy this tune!
Review by http://dubsteanalysis.blogspot.co.uk/

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Listen: Three phat tunes from the new Dub FX album

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Dub FX

Hold onto your butts ‘cos we’re about to get HUGE. The new Dub FX album has just dropped and it’s a barnstormer.

Melbourne born Dub FX has been an underground fan base that spans the four corners of the club. A pioneer of live looping, Dub FX fuses beat boxing, soulful vocals and lush basslines to create a raw, edgy sound that warms the cockles. Thinking Clear is Dub FX’s third album and we’ve been giving it a good listen. You need to get on it!

To whet your appetite and get you in the mood, hear are three tunes from the LP for your listening pleasure. Real party vibes pieces of music. Enjoy!

The album is brought to you by CONVOY UNLIMTED and Membran.

ROAD TO BABYON

WHERE I BELONG

SEARCHING

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Intelligent fusion: Mantis rain fire with new EP

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Mantis

It’s a tricky path producers of metal-influenced EDM walk. How do you keep the production values high without sounding cheesy? Thankfully that’s not a problem Mantis have to worry about because their new EP is raw as f-ck. In the span of just five tracks, the two lads from Atlanta explore the rugged side of drum n bass, dubstep and metal. The Avidity EP is a clear attempt at breaking the mould — and it pays off. We wanted to find out more so we went straight to the source to ask the lads a few questions.

The new tunes are doing damage. What made you want to put out an EP that explored so many genres?

Well to be honest, we were tired of just writing an EP that was just an assortment of songs. We wanted to do something with more substance, so we opted for the mini album structure where all the tracks flow continuously as one piece of music. Want to send a big thanks out to Crime Kitchen for letting us do our thing on this record and not nitpicking the songs!

How big a milestone is this new EP for you?

We definitely feel it is our most mature work to date, it’s got something for everyone on it. So, that being said we are very proud of it. The reception thus far has been really good!

You’ve got a show coming up in London soon (April 16). What can people expect from that?

Man, so fucking excited for that one. When we first started out, we would always see the ERGH lineups and drool. Now we get to go and headline it, it’s very surreal. People can expect a no holds barred audio assault though, per usual.

What do you say to people who say dubstep is dead?

Shut up.


Buy the EP on iTunes now!

Go check out Mantis alongside P0gman and Diskord on April 16 at Fire in London on April 16. French readers can get their fill of bassy goodness on Aptil 15 at at Cabaret Sauvage in Paris.

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Starting as they mean to go on: CLOAKS – Wraith

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Label spiel: After remaining in the shadows for quite some time, the bass rooted duo CLOAKS is ready to enter the light as they make their debut with the heavy single “Wraith”; out now on Pantheon. in what will be the first of many, the ominous pair of Joey Fisher and Chris Curran make strong first impressions with the moniker as “Wraith” provides an old-school dubstep feel with cutting edge contemporary approaches; providing a trailblaze of a pathway to a new mantra of bass music. And with plenty in their arsenal moving forward, these two are ready for the world to be enraptured in their sound.

Our take: This tune is sweet little surprise. What we love about this one is the fusion of styles, with this kind of dreamy, trancey intro, somewhat Eric Prydz-esque, that builds up to a gargantuan, unforgiving drop. It gets a little happy clappy in the mid-section but then they pull it back with the second drop. It’s that bass and those wicked synths we wanna hear more of in future offerings. Nice job!

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